He did appear in several non-horror films in bit parts ("Carousel" 1956 and "Lady in the Iron Mask" 1952, as the mad executioner who keeps Patricia Medina locked up), but jobs pretty much dried up for Johnson in the 60s. Admittedly he wasn't called on to do much his physical presence and abilities to stare uncomprehendingly and lumber about menacingly were enough. Johnson was rarely ever given any dialogue and never really learned to act. His first film for Wood was the execrable but, unintentionally, hilarious "Bride of the Monster" (1956), in which he originated the role of the mute, scarred Lobo, a role he reprised in Wood's "Night of the Ghouls" (1959) and in the non-Wood directed "The Unearthly" (1957). After years in the ring, Johnson played bits in the Ole Olsen and Chick Johnson comedy "Ghost Catchers" (1944) and the low-budget film noir "Behind Locked Doors" (1948).
Hulking, bald-pated Swedish wrestler who began making film appearances in the 1940s and became a minor cult figure playing mute, mindless killers in a number of schlock horror films, most notably in the films of Edward D.
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